Few electronic artists capture the duality of nature as effectively as Scottish duo Boards of Canada. With 1998’s “Music Has the Right to Children,” Boards introduced a musical perspective that ...
Electronic music isn't known for its sentimentality. However, when critics wrote about Boards of Canada's 1998 release, “Music Has the Right to Children,” the word “nostalgia” was kicked around more ...
Record Store Day, 2013. A mysterious vinyl, titled ——/——/——/xxxxxx/——/—— appeared in a New York music store. It contained a brief burst of audio ...
Been meaning to post this piece for a while, since the whole clandestine operation around the new Boards Of Canada album, “Tomorrow’s Harvest”, began. It’s an interview I did with the duo in February ...
One of electronic music's most fully realized acts, Boards Of Canada quietly created its own aesthetic universe on 1998's Music Has The Right To Children, an unassuming album built around hardwired ...
rumour, and there’s talk of demon faces in the cover art. What the title (or indeed any of it all means) is up for debate. To add to the excitement, no preview copies of the album were distributed.
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