In these turbulent times, creativity and empathy are more necessary than ever to bridge divides and find solutions. Artnet News’s Art and Empathy Project is an ongoing investigation into how the art ...
Already featured in 2012 with two dedicated monographic focuses within the prestigious quinquennial contemporary art exhibition dOCUMENTA (13) in Kassel. A still life by the influential 20th century ...
Currently on view at Mattia De Luca in Italy, “Giorgio Morandi: Il Tempo sospeso” will travel to New York this fall. Installation view “Giorgio Morandi: Il Tempo sospeso” 2022. Courtesy of Mattia De ...
The paintings of Giorgio Morandi, highly distilled visions of a private world, elicit only two responses: extreme enthusiasm or indifference. They demand a great deal of the viewer, but for ...
When you see a photo of Giorgio Morandi, you see a man who was always looking. Round, black glasses below a furrowed brow (or resting just above it); deep smile lines, the echo of a nose scrunched in ...
You expect a landmark exhibition to yield surprises, but they're not always as big as this. ¶ Digging into "Giorgio Morandi, 1890-1964," now premiering at the Metropolitan Museum -- the largest-ever ...
The paintings of Giorgio Morandi render new meaning to the term natura morta. Giorgio Morandi by SIAE 2008Natura morta, 1956 The paintings of Giorgio Morandi express an apparent humility of means ...
NEW YORK — “Giorgio Morandi: 1890-1964,” the enthralling exhibition of 110 paintings, drawings and prints at the Metropolitan Museum of Art, is a bit of a surprise, but not for revealing an overlooked ...
THIS PAST WINTER’S SHOW of paintings by Giorgio Morandi (1890-1964) at New York’s David Zwirner gallery refreshed my deep love for the Bolognese artist’s work. It transfixes me: the chalky paint, the ...
Inspired curatorial efforts are rare these days, so even the idea of pairing still lifes by Giorgio Morandi (1890-1964) with nearly monochrome abstractions by Robert Ryman (b. 1930) excites the ...
In a memoir of his friendship with Giorgio Morandi, the critic Giuseppe Raimondi quotes the artist’s playfully describing a picture as composed of “my usual things. You know them. They are always the ...
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