SPOILER ALERT: This is a nuclear posture review, not a movie review, of Kathryn Bigelow’s A House of Dynamite, and discusses in detail the realism or lack thereof of specific scenarios and plot lines ...
It replays the same lone-nuclear-missile-launched-at-the-U.S. scenario three times, with a lot of huffing and puffing but diminishing returns. There’s an aesthetic paradox built into the opening half ...
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