David Cox is an advocate. Janette Fishell is an advocate. Andrew Mead is an advocate. Advocate Cox is an Eastman School of Music-trained organist who, to earn a better living, switched professions: he ...

The Bach worship of the late-Romantic composer Max Reger largely took the form of voluminous writing for organ and a fondness for the fugue. But it arises in a more austere - and for some of us, more ...

This is one of those recordings that immediately stops you in your tracks. The performances are fine indeed, but more than anything, it’s the music itself that strikes you – it’s both utterly unique ...

Max Reger’s effusively early 20th century, late Romantic orchestral music is a hard sell in Los Angeles, or at least it is perceived that way, since no one has actually tried to sell it in recent ...

Tom Service explores the music of 19th-century composer Max Reger. Plus composer, pianist and journalist Peter Dickinson talking about his life in music. Show more Tom Service explores the music of ...

On the organ, in instrumental duo and with voice and piano. Different ways to remember the figure of Max Reger, late-romantic German composer and organist. The appointment is for tomorrow at 20.30 in ...

Bavarian composer Max Reger would be the first to admit that his music could be densely packed. He even used the word "turgid" one time. But Reger occasionally gave in to his lighter-hearted side.

This year’s centenary of Max Reger’s death isn’t getting much attention on disc or in the concert hall, but Sophie Bevan and Malcolm Martineau’s collection of his songs is a timely gesture. In keeping ...

This is a fabulous recording of beautiful music beautifully played. Pianist Mark Latimer performs two sets of variations by Max Reger (1873–1916) beginning with Op.81, on a long theme from Bach’s ...

Writing this issue’s in-depth feature on Max Reger (see page 16) gave me the wonderful opportunity to become better acquainted with his music, which is well served by recordings – particularly on ...

Performances in N.Y.C. Advertisement Supported by By Anthony Tommasini No one who attended the remarkable 2014 Carnegie Hall concert performance of Handel’s “Alcina” by the English Concert, the ...