Todd Vaziri, Compositing Supervisor at Industrial Light & Magic and host of Lighter Darker: The ILM Podcast , recently sat ...

Stadium crowds were a common VFX problem to solve, Emmy-nominated compositing supervisor for Ted Lasso' Bill Parker explained, with reactionary crowds requiring frequent changes in techniques.

At this year’s FMX in Stuttgart, ZEISS is showing an interesting extension of its CinCraft lens tech ecosystem that will allow VFX and compositing artists to apply an authentic lens look to content in ...

This pre-release BETA program from ZEISS invites professional VFX artists to test the technology in real-world conditions and ...

Andrew Jackson reflects on creating the Manhattan Project's Trinity Test, for which he says no CG was involved. By Carolyn Giardina Tech Editor There’s a sizable amount of largely “invisible” visual ...

Parker is nominated in the Outstanding Special Visual Effects in a Single Episode category for the 11th episode of the season, titled “Mom City.” The episode is a prime example of Parker’s work on the ...

We love to bemoan unrealistic effects in movies, but this video from Roy Peker shows how even basic scenes can involve a level of digital trickery we never notice. Yes, we know about fantastic worlds ...