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But sadly "The End" is not the "uncompromising masterpiece" it aspires to be, said Wendy Ide in The Observer. Oppenheimer's ...
To be fair, taking place over two hours and 30 minutes in the same isolated bunker, the film could not be classed a laugh ...
Joshua Oppenheimer made his name directing two disturbing documentaries, The Act of Killing (2012) and The Look of Silence ...
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The End review: all down to the bunker for Joshua Oppenheimer’s bananas, post-apocalyptic musical - 3/5 Tilda Swinton and George MacKay lead the shaky singalong in a strange tale that could have been ...
Swinton continued: “The inhumane is being perpetrated on our watch. I’m here to name it without hesitation or doubt in my ...
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The End is a chilling climate apocalypse story stretched over the bones of an MGM musicalIs art where we find truth, or where we project our delusions? In his dual Oscar-nominated documentaries The Act of Killing (2012) and The Look of Silence (2014), filmmaker Joshua Oppenheimer invited ...
A look at esteemed documentarian Joshua Oppenheimer's first attempt at fictional storytelling. Read more about 'The End' and its execution here.
Written and Directed by Joshua Oppenheimer. Starring Tilda Swinton, George MacKay, Moses Ingram, Michael Shannon, Bronagh Gallagher, Tim McInnerny, Lennie James, and Danielle Ryan. SYNOPSIS: After ...
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Irish Independent on MSNThe End review: Post-apocalyptic all-singing, all-dancing fiction debut teeters between inspiration and tediumJoshua Oppenheimer announced himself in 2012 with The Act of Killing and its 2014 follow-up The Look of Silence. Both documentaries charted the murder campaigns undertaken in the mid-1960s by ...
Shannon goes underground again for The End, another unsettling film that unfolds in the shadow of an apocalypse. But this ...
It seems likely that, whatever masterpieces he goes on to create, Joshua Oppenheimer will always be first remembered for two of the oddest, most disturbing documentaries ever made. The End is a ...
Joshua Oppenheimer's film is billed as a "post-apocalyptic musical" with a "bold vision", said Deborah Ross in The Spectator. Now, I am all for "bold visions", but maybe not if they have no plot ...
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