Warren Frye on “The Saga of the Earls of Orkney,” edited and translated by Judith Jesch.
Mahler’s Third began with a blatty onset in the horns—but, as they continued, those horns were arresting. Part I as a whole ...
On “Vermeer’s Masterpiece: The Milkmaid” at the Metropolitan Museum of Art, New York & “Monet’s Water Lilies” at the Museum of Modern Art, New York. Conceptually, the two exhibits are very similar, ...
Longtime readers will know that The New Criterion has had what might politely be described as a fraught relationship with the National Endowments for the Arts and Humanities. Samuel Lipman, our ...
Jane Coombs on a performance of the Sukhishvili Georgian National Ballet, at Carnegie Hall.
On Old Master drawings, Caravaggio, the Budapest Festival Orchestra, Art Deco & more from the world of culture.
T he implacable determination of today’s campus enforcers of conventional opinion is nowhere better illustrated than in the rise of bert s—Bias Education Response Teams. These are administrative ...
On a concert by the National Symphony Orchestra, at the Trump Kennedy Center.
While Dueñas was playing, a woman sneaked down the aisle, back to her seat. Apparently, she had left after the Beethoven, not realizing that there would be an encore. This time she had her shoes—those ...
On “Louise Nevelson: Mrs. N’s Palace,” at the Centre Pompidou, Metz.
Some results have been hidden because they may be inaccessible to you
Show inaccessible results