On “Vermeer’s Masterpiece: The Milkmaid” at the Metropolitan Museum of Art, New York & “Monet’s Water Lilies” at the Museum of Modern Art, New York. Conceptually, the two exhibits are very similar, ...
Longtime readers will know that The New Criterion has had what might politely be described as a fraught relationship with the National Endowments for the Arts and Humanities. Samuel Lipman, our ...
Jane Coombs on a performance of the Sukhishvili Georgian National Ballet, at Carnegie Hall.
On Old Master drawings, Caravaggio, the Budapest Festival Orchestra, Art Deco & more from the world of culture.
T he implacable determination of today’s campus enforcers of conventional opinion is nowhere better illustrated than in the rise of bert s—Bias Education Response Teams. These are administrative ...
On a concert by the National Symphony Orchestra, at the Trump Kennedy Center.
While Dueñas was playing, a woman sneaked down the aisle, back to her seat. Apparently, she had left after the Beethoven, not realizing that there would be an encore. This time she had her shoes—those ...
On “Louise Nevelson: Mrs. N’s Palace,” at the Centre Pompidou, Metz.
There is enough blame to be shared all around. Every organization, every office, every business has employees who are detrimental to the work performed. But the CIA should have been more vigilant.
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