Union Theatre, a new Edinburgh-based independent theatre company operating in the amateur sphere, was launched on Friday 13 March 2026 when it announced that its first production will be the Scottish ...

The EUTC’s production of The Importance of Being Earnest at the Bedlam is careful and intelligent. It may ultimately lack a little sparkle, but makes up for it in many other ways. Oscar Wilde’s ...

One Day: The Musical, from the Royal Lyceum and Melting Pot, is a hugely ambitious production that has a correspondingly large impact, even with the odd problem in execution.

In a final post on Facebook, the Forth Act committee said: “Helen’s ethos for the company was to bring theatre to ...

A Grain of Sand (Good Chance) By Elias Matar. Tue 10 – Thur 12 Mar 2026 Evening: 7.30pm (Trav 1). Renad, a young Gazan girl, ...

The festival theme of All Rise is taken from Wynton Marsalis’s 12 movement jazz symphony which forms the opening concert at the Usher Hall (Sat 8 Aug) and is the festival’s first-ever jazz ensemble ...

The Legend of Davie McKenzie, the latest A Play, A Pie and A Pint from Òran Mór at the Traverse, is an energetic and emotional piece.

Assembly Roxy is to host four productions from Glasgow’s famed lunchtime theatre producers, A Play, A Pie and A Pint (PPP) in April, May and June 2026.

New grassroots company Gutter Theatre give a commendably solid showing for their inaugural production: Tom Stoppard’s Rosencrantz and Guildenstern Are Dead, playing upstairs at Assembly Roxy to ...

Someone’s Knockin’ at the Door, the first in the new batch of A Play, A Pie and A Pint from Òran Mór at the Traverse, is a well-performed and pleasing – if ultimately insubstantial – production.

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Cinders! has been announced as Scottish Ballet’s Christmas treat for 2026 at the Festival Theatre. Here, choreographer and company AD Christopher Hampson talks about the latest iteration in this ...