Mar 4, 2007 · CM7 or CMaj7 is different; Maj doesn't refer to the quality of the chord but to the seventh. '7' just by itself is assumed to be dominant (minor), so C7 is understood as above, and CMaj7 is not …

Dec 23, 2019 · A stupid question, perhaps, from a baffled beginner: Why Cmaj7 arpeggio? Why not C major, not even C dominant 7, but Cmaj7? Couple weeks ago I watched one of Scott's videos, this …

Jun 13, 2008 · Hello everyone, I got confused when I checked the internet for playing 7th chords. Some of them saying "Cmaj7 and C major 7 are completely different from each other". Is it a correct …

More Today Than Yesterday Oh, I love you more today than yesterday.

Mar 8, 2005 · This is somewhat misleading Cmaj7 means C (major) - with a major 7th (maj7). C means C (major) C7 means C (major) - with a minor 7th (dominant 7th) or mixolidian mode. The root is …

Aug 31, 2011 · So I just started working through some stuff that requires playing along with a track and moving through Roots, 3rds and 5ths in a II V I. This is from Scott Devine's Play Along Series. …

Jun 2, 2020 · B7 and F7 are not Maj7 chords so what I posted wouldn't apply. Then there is also the concept of the passing tone. I apologize for misunderstanding. I thought you meant CMaj, not CMaj7. …

Jun 1, 2011 · See a Cmaj7 chord - find a C note on your fretboard and place the box's R over that C note then play the spelling for what you want. The Cmaj7's spelling is R-3-5-7.

Aug 31, 2006 · Cmaj7 chord coming up in the song. Find a C note on the 3rd or 4th string and put this box's R over that C note. Then play the "spelling" for the Cmaj7 chord. That spelling is listed below …

Jun 9, 2006 · Typically the triad would create extensions of the indicated chords, such as the 9-#11-13 that the Dmaj triad creates over a Cmaj7 chord. The triads are usually not written, but the provided …